Love In The Margins


Photo by Annie Spratt on Unsplash

Untouched books are also
unloved.
See a child
how he scribbles
colours
and rubs?
That’s what love is like –
rough around the edges
and every so often
wears you out.

An unblemished book
is lonely, wan
displays no signs of
ever being held,
no lines in the margins
– exclamations, notations-
no marks of love,
of having had someone
crawl into it
long past midnight.

These wrinkles, my love,
and folds of skin,
these blemishes and 
signs of wearing out
are but dog ears 
on the pages of life-
marking the lines that
reverberate;
marking the most loved
parts of us.

Most people disapprove of writing inside books. I’m not one of them.

All the books I’ve ever loved are painted over with notations on various pages, thoughts that they triggered in me, my responses to the beauty or tragedy in them. The more loved a book is, the more scribbled over it will be. Many people consider this sacrilegious, they consider it a defilement of the sacred. For me, though, these are marks of love. Passionate love, if I may say so.

Many years ago, when I was around 18, I had English Literature as a subsidiary subject in my undergraduate class. We studied several short stories, one of which was Bernard Malamud’s The First Seven Years. I still remember that story, because at its core lay two people who fell in love with each other through their love for books. Miriam and Sobel hardly ever met, hardly ever spoke. They mostly exchanged books.  

Before I speak further about this story, I must add a disclaimer. I could go online and search for the story and be accurate about the details, but I will write from memory instead- the things that I remember and the feelings they evoked in me then.

Miriam is the daughter of a Jewish shoemaker, and Sobel is a Polish refugee, who finds work and sanctuary as an assistant in her father’s shop. Unknown to her father, they exchange books, and they converse only—mostly—through the notes and the lines that both of them scribble in the margins. They are not love notes or secret lines to each other- they are notations about the book, reflections on what was written. It is an intellectual, spiritual bond- a love borne out of a meeting of thoughts and ideas. A meeting of minds and not just hearts.

Every time I write a line in the margins of a book that I love, I remember Miriam and Sobel. I revel in the vicarious pleasure of a love that speaks through books. I wonder what it would be like, to be surrounded by a love like that.

But when I write in books, it is not for a lover to read. Who is it for, I wonder?

Perhaps a part of me hopes that my son would read my books someday, find his mother’s words and be delighted in that discovery, as I am now delighted when I find something that belonged to my parents in their youth. Or perhaps my son’s children will – assuming he decides to have children.

Being a person who for a very long time has struggled against motherhood, and asked myself whether I would really have chosen motherhood if this were a choice available to me, I find myself fearful of the fact that my son may not choose to have children. I hope it does not happen so. I hope he chooses to have them.

I know, now, that if life hadn’t gone hurtling at a dizzying pace for me, if I had had the choice of taking things slow and step by step, I would have chosen to have a child. Or children.

I see women around me who choose to have children well into their thirties, and I imagine that if I had role models around me, if I had these ideas around me, if I had the chance to wait till my thirties to become a mother, I would have perhaps been a calmer, saner, more prepared, more willing parent. I hope that my son and the woman he marries choose to be parents too- in their own time, at their own pace, with their own choice- for choices made consciously and wisely can be carried with a lot more joy.

And as I read one book after another, writing away into the margins, I wonder if these words will be read by generations after me. I wonder if they will even want to read the kind of books I like. Wonder if they will ever want to flip through these books. It is rather vain to assume that future generations will want to know you.

It is enough, I think, to write in a book, knowing that you have loved it, knowing that it has become a part of you, knowing that if no one else, at least you will come back to it. You will read the words of a past version of yourself, a person who no longer exists because she has grown and evolved into someone else, and perhaps you will read those words and smile, and say: Ah!

And then again, perhaps no one ever needs to read these words. Perhaps it is enough to have reflected and contemplated and written them down. Perhaps it is better that they remain like this, locked away in the book’s close embrace, fading away into a yellowed page, as the human existence fades into the yellowed pages of life.  

What’s your primary love language?


I never thought I’d say this, but motherhood grows on you.

I have begun to realise, slowly, that I am so much more comfortable in the role of a young boy’s mother, than I ever was in the role of a toddler’s mother. 

I think it is because my primary mode of communication, and expression of love, is verbal. Words are my preferred channel. My primary method of bonding is intellectual exchange, which is obviously done through words. 
Physical touch comes a close second- I am a very physically expressive mother: kisses, cuddles, smothering hugs. But that is still second, and no substitute for the joy of words. 

Thus I find myself taking far more delight in the role of a mother now – now that my son can clearly express and converse with me, now that I can hear the thoughts that go through his remarkable brain and marvel at the fascinating intellect he possesses. 
I find myself relishing the role of the mother far more with the growing up of my child, as he develops more fully into a distinct human being with a mind of his own, contradicting me and adding to my thoughts with the freshness and depth of his own. 
It is a great delight to find my son thinking independently enough to contradict his mother – though it’s exhausting as hell, too! But I find myself bursting with pride when he adds a different dimension to my understanding of the world. Pride at the magnificent, compassionate and empathetic person he is turning out to be. 
It isn’t as though I didn’t enjoy being a mother to Little H when he was tiny. I distinctly remember what a bundle of joy he was, how he listened carefully and began speaking at the early age of 10 months, so that one could chuckle at the nearly grown-up sentences uttered by those tiny lips. 
How delightful and adorable he was when he tried to copy his father in every tiny thing: right down to how he lay on the bed while talking: lying on his side, propping an elbow under his head, and crossing one leg over another. We roared with laughter on watching 10 month old Little H lying on the bed in exactly this manner: complete with crossed legs and elbow propping up the head ! 
How marvelous it was to see his wonder and joy at the world, to see commonplace everyday objects with a child’s fascination- a child discovering the new world, a world that holds infinite delights for him. “And children’s faces looking up, holding wonder like a cup!” If you’ve ever seen a child with his mouth wide open in a joyous grin and his eyes sparkling with wonder, you’ll know exactly what this means.  And yet, I think I was so exhausted and worn out all the time, because he was such a bundle of energy and mischief, that I couldn’t really appreciate or enjoy it as much as I would have liked. 

Not being able to understand his needs, not being able to communicate my concerns with him was the most frustrating thing I ever experienced. Like constantly groping in the dark to find the light switch, and falling in the darkness and hurting yourself countless times in the process. 
And slowly, you learn where the light switch is- so you can find it even when it’s dark. 
Little H growing up enough to communicate properly- and understand his mother’s words properly – is the light that’s suddenly been switched on for me. 
We have finally reached a place where we can, to a largely comforting extent, understand each other. 

What an extraordinary amount of hard work it has been! 
But it’s a beautiful feeling for me, the Reluctant One, to find that I can finally enjoy motherhood, that I, too, can find it fulfilling, instead of constantly and exhaustingly struggling against it. 

I feel like ending this with a quote from the Quran. It is my favorite verse, and it is the verse I used to repeat most often when Little H was tumbling around in my belly.  It is also the verse I chanted over and over to myself when I was experiencing the most excruciating pain of my life: as Little H was being born. 

Fa Inna Ma’al Usrey Yusra. Inna Ma’al Usrey Yusra

Verily, with hardship comes ease. With hardship comes ease. 
It does, indeed.

What would you write to your child if it was the last thing you wrote?


I wrote this letter atop the upper berth of a carriage in the Prayagraj Express, en route to Delhi from Allahabad. I was about to fall asleep on my train berth. I felt cold and drew my blanket over my head, and then idly wondered if I might suffocate and be found dead by morning. Passed away peacefully in my sleep. 

That sounds like a nice way to die, peacefully in one’s sleep. Inside a blanket. On a nice little train berth, pleasantly air conditioned, rocking gently to and fro like a cradle, snuggled inside a soft sky blue blanket.

And as I thought this I wondered what I’d like to do if it were indeed my last night in this human form? 

I’d had a lovely conversation- sans argument- with my better half after a long time! Check. I’d had a tears-of-happiness conversation with my sister in the evening. Check. 

But Little H.

Since he and his cousin little S were asleep together on the berth opposite mine, I hadn’t kissed him or hugged him before sleep as I always did. 

And I suddenly knew what I wanted to do if it was the last thing I did. 

I wanted to write a letter to you, my son. 

I think I’m just projecting myself over here, because I have always yearned to have something written by my father for me to read. I knew he was a man of letters.  Of poetry. Of books and deep thoughts. I wish I could have had something with me that would help me know him better. Who he truly deeply was. His fears, his dreams, his worries, his passions. Every day of my life I keep wishing I knew him more.

But in spite of all my morbid death fantasies, I hope you never have to read this letter as my last to you.

I hope and pray that I stay alive to write you more letters. Because I know what it’s like to have only half of me alive at all times—the other half conjured up only through memory and imagination.

I don’t know who exactly I’m writing this letter to. Grown up H? Teenage H? Little H? 

We can never really know who reads our letters once they’re out there, can we? 

Nevertheless, here’s my letter to you, my son, whenever you get to read it.

Little H, I don’t worry about you, because I see you’re a fine little man already. You’re thoughtful, sensitive, independent. You have the sprouts of universal love in you. You’re truthful and understand the meaning of justice and compassion. 

You’ll grow up to be a fine man. 

I don’t want to tell you who you should be. All I want is for you to be a good human being. What you do with your gifts is up to you.

And you have many gifts:  you love animals and birds and insects and trees and flowers. The natural world excites you endlessly. You love automobiles and machinery – cars, trucks, planes, bikes and their functioning. You love listening to me recite my poetry to my mother although you don’t understand a word of it. You like flipping through my thick books and sometimes make me read from them to you, just because you want to share what Mumma was reading. You have many gifts, dear heart. Life will show you the way and help you discover them as you grow and evolve.  

What I do worry about is that there are too many patriarchal systems around you, woven in inextricable ways that undo all the tapestries of equity and gender justice that I try and weave around you. 

I do know that I would be very unhappy if a son of mine grew up to be a man who does not think of women as his equals, as people who have the same rights as him, and who deserve the same opportunities as him, whatever differences there may be in physiology. Be the man who considers women and men as equals, my son, but also the man who understands the differences between sexes and the struggles emanating from them.

For it is important to stress that equality does not mean similarity.

Two people may be very different in skin colour, hair colour, eye colour, nose shape, mouth shape, body structure and so on, but they’re still entitled to being treated as equals- in opportunity, in law and in life. In humanity. People confuse equality with sameness. But being equal doesn’t mean being the same.

Equality is the right to being treated as equals despite all the diversity and differences that exists among human beings.

I would be very sad if you did not grow up to respect women. If you saw the privilege that you had as a man and felt smug and entitled about it- instead of feeling that this privilege came to you at a cost to someone else, and knowing that the onus was on you to correct this skewed reality. Knowing that the onus was on you to take enabling action, which allows someone else to flourish and thrive along with you.

Know this, my son: being born into privilege means it is a test you inherited, to see how much of that privilege you are willing to relinquish for the sake of equality and justice in society, in the world. This applies not just across genders, but across groups that are traditionally underprivileged- financially, religiously, socially. 

What will matter most is how willing are you to speak out for and support those who are marginalised, whose voices are constantly being stifled and whose presence is constantly being crushed. Nothing would make me happier than seeing you stand up and speak for the oppressed.

When in doubt, always use this mantra—look at the power structure. Where is the centre of power? Who holds the most power? Only then will you begin to understand the lay of the land, only then will you be able to understand who is being oppressed. And if you find yourself in a position of power, remember, power is only given to you to help the maximum number of people you can. That, and that alone, is the correct use of power.

Always remember this: human beings are all fallible. Do not make demi-gods out of them, do not turn your heroes into people you worship. Always be ready to ask questions and be prepared for uncomfortable answers. Humans are always looking for saviours, and from there stems our tendency to put people on pedestals and worship them. Worship no human, my son! Uphold only the principle of humanity above all else. Do not go looking for saviours. People must make efforts to save their own selves. But beyond that, try and save as many others as you can.

Always try to see things from different points of view, even though that perspective may clash with yours. Always try to understand and explore various opposing points of view, and only then make up your mind. And even then, be ready to listen and course-correct.

Happy New Year, little H. May you learn many, many new things this year, and may you grow into a man who is a paragon of knowledge, courage, compassion and fairness. Above all, fairness.

All my love,

Mumma

Do you feel fear?


Image by Hu Chen on Unsplash

Many of you—my readers on this blog and on social media — so kindly and sweetly message me to tell me that you love how fearless I am, and that it inspires you. I feel humbled by your love. 

In truth, though, I am not fearless. Nobody is fearless. 

—————

When I was 6 years old, my father, who always wanted to make his daughters bold and undaunted, put an airgun in my hand and taught me how to take aim. Then he pointed at a target he made on the wall and said- “Shoot.” 

I was afraid of the gun, and the sound it made. But not once did I say ‘no’ to my father. Not once did I say: I can’t do it.

I took the gun and aimed. I hit the mark. 

This is my first remembered experience of moving past fear. From that moment on, I could very easily hold the gun and shoot a target on the wall. I forgot my fear.

I learnt to drive pretty late in life, because my mother couldn’t get past her fear of road accidents- which is perfectly understandable, since she lost her husband in one of those. Ironically, she’s pretty fearless herself, but when it comes to her children she cannot get past her fear. I have felt acutely the restrictive effects of this ‘love guided by fear’ and I have consciously attempted to not love my son in this restrictive manner. 

I want to love him like my father loved me- the love that makes you fearless. 

When I was 7 years old, my father would make me sit on his lap while he drove his jeep, and late at night on the empty road of our government officers’ colony, he would put my little hands on the steering and ask me to steer. He had such dreams for me, so many things that he wanted me to learn.

However, I actually became a proper driver only at the age of 28. Let me rewind a little and tell you that story.

When I was 20, I decided to learn driving no matter what my mother said, and secretly asked our driver to teach me. I would make him shift to the shotgun seat and try driving to the University myself. Slowly I did learn to drive, but then I needed to practice taking the car to other places and other routes as well, and of course my mother wouldn’t let me take the car anywhere else. She was apprehensive and scared enough when she found out I was driving the car with the driver sitting beside me, and no way would she let me practice alone. So I couldn’t really brush up my driving skills.

A couple of years later, I moved to Delhi for my job, followed by marriage the next year. Being a professional in a demanding field, I hardly had any time left to learn and practice driving, and after 2 years, in 2012 I became a mother. Life gave me no space to even think about driving.

Until 2014.  I was in Aligarh then, experiencing the lowest phase of my life. I decided I was going to finally learn to drive properly. Contacted the Driving Training school and began to train again. I had obviously forgotten everything I had learnt earlier. But in 15 days my training was complete and I was asked to practice daily to become an expert. And yet, just like last time, mom refused to give me access to the car. I was stuck again.

So after a few months, I contacted the training school again, and did the 15 day training yet again—I figured this was the only way I could get to practice.

When I got back to Delhi after a year, I finally had access to my own car. S, My husband, would sit beside me and I would drive around the township where we lived, while he guided me. And then one day he gave me the keys and said—now go drive on your own.

I was afraid. I was very afraid of taking the car out all alone. But I took a deep breath, and stepped past my fear. That was the day I actually began to drive.

From that day on, I drove my son to school every morning, and picked him up from school every afternoon, getting plenty of driving practice. But I still didn’t take the car far out into the city.

Until one day, a friend of mine asked me why I don’t drive to Delhi myself. I confessed to her that I was afraid.

“But it’s just like driving here, inside the township. No difference! If you can drive here, you can drive there too!”

So the next day, I drove the car for 30 kilometres. That first day, I felt my heart in my throat. I felt fear pulsating in me. But I didn’t give up.

The day didn’t go by without minor mishap, I must admit. I did graze the back bumper of another car, misjudging the distance. But I learnt and grew. From then on, every day that I drove out into the city, I learnt and I grew, driving across greater and greater distances.

Then one day I took a different route to Delhi—via the highway. The first time that I had to face huge trucks and buses honking at me angrily and coming at me like whizzing arrows. I felt fear in every pore of my body. Every nerve in my head tightened and knotted up in stress. But I gritted my teeth and told myself—I won’t let this get the better of me.

And I didn’t.

Another time, while returning from an assignment at night, I lost my way. Google maps completely betrayed me and took me all around the world (as it felt at the time!) and I was nearly choking with fear. I had no idea where I was and how I was going to get home. Relief washed in waves over me, when I finally found the way back home, stopping by the roadside or at police stations and asking for directions.

That was the day I lost the fear of being lost.

It was the day I learnt how to find alternate routes, the day I discovered that even if I got lost, I possessed the skill to navigate myself back towards the right track. In more ways than one.

Earlier this year, I tasted the metallic, pungent surface of fear in the lobby of the Max Hospital, right before I had my breast biopsy. Those moments before the biopsy, when Sajjad and I sat in the lobby of the hospital, waiting.

Fear gripped my throat, sucking it dry, and churned in the pit of my stomach.

“Game face.” I kept repeating to myself. “Game face!”

Just to prove to my fear that it would never, ever get the better of me, I asked S to take pictures of me in the hospital gown, sitting on the operating table, minutes before the biopsy needle punched into my breast. And so I was photographed—all grinning and making V for Victory signs with both hands—just before I was operated upon.

Doesn’t mean I hadn’t been afraid just two minutes earlier.

We all experience fear. The reason some of us come across as fearless is because we refuse to let fear dictate our lives. We refuse to give in to fear.

We rebel, we protest, we walk resolutely ahead. 

So when you all tell me that you love my fearlessness, I want to tell you that you are fearless too. We’re all fearless, though we all feel fear.

Courage is not the absence of fear, but the ability to move beyond it.

Janice Pariat and me: the varied lives of writers


Janice Pariat, author of Boats on Land, Seahorse and The Nine Chambered Heart, in one of her instagram posts, talks about a writer’s life as being characterized by retreat.  ‘Long periods of silence. Of aloneness. Of deep listening. Of noticing seasons.’

‘A writer’s life is stark, humdrum discipline,’ she says. ‘A writer’s life, no matter how individually disparate, involves retreat. And always, resurrection.’

Those are beautiful, true words.

But in many ways, also ironic.

Silence, aloneness and retreat can very often be privileges not available to every writer.  
For some of us, silence and uninterrupted moments of retreat are rare. In a life punctuated by domesticity, motherhood, and myriad mundanities, this is not what being a writer looks like. 

For the writer who is also a caregiver, a nurturer, the writing life is defined by working deep into the quiet of the night, exchanging the comforting arms of sleep for the enticing embrace of the muse. 
Snatching moments of quietude from the midst of an endless barrage of innocent young questions flying at you with the speed of curiosity.
Writing inside your head while listening to an elderly parent’s complaints about their life. 

This, then, is also often what the writing life looks like: surreptitiously stolen islands of solitude within a volley of sounds.
The ‘immanence’ of a writing life that is punctuated by domesticity, and caring for children and the elderly – as spoken of by Simone De Beauvoir in The Second Sex. 

At first, I thought this immanence was limited to the lives of women, who have to squeeze spaces and moments from life for their art.

But then I read Elizabeth Gilbert’s Big Magic, and realised that the immanence of mundane life, of domesticity and the demands of making a living, extends beyond the concerns of gender. It envelops every person who is either a nurturer or a provider–even if it is only for himself or herself. In other words, the person who has to make a life, while also making art.

“People don’t do this kind of thing because they have all kinds of extra time and energy for it,” writes Gilbert, ” they do this kind of thing because their creativity matters to them enough that they are willing to make all kinds of extra sacrifices for it.”

“Unless you come from landed gentry,” she adds for good measure, “everyone does it.”

Very interestingly, she gives the example of the famous Herman Melville, who wrote a ‘heartbreaking’ letter to Nathaniel Hawthorne, complaining of the lack of time, and how he was pulled ‘hither and thither by circumstances.’ He longed for ‘the calm, the coolness, the silent grass-growing mood in which a man ought always to compose.’

But then, Gilbert points out, Melville never got that sort of environment. Yet he somehow managed to write Moby Dick.

This is how writers find themselves forever caught in a state of immanence, surrounded by the clutter of life’s responsibilities and demands. “And yet they still persist in creating,” remarks Gilbert. “They persist because they care. They persist because they are called to be makers, by any means necessary.”

That, precisely, is how even within that immanence, we create our spaces for transcendence.

This ability is perfectly encapsulated in the Sufi understanding of Divinity.

Seyyed Hossein Nasr writes in his life-altering book The Garden of Truth: “The Supreme Principle is both the absolutely transcendent Reality and the absolutely immanent Self, who determines the ultimate reality of human beings, and defines what it means to be human.”

It indicates that the Divine Essence is, at all times, both immanent and transcendent — merged with the Universe and the life forms in it, yet at the same time somehow beyond it, with the universe ‘mysteriously plunged’ in it.

The writer from a family responsibilities, nurturer or provider background, then, curiously becomes a reflection of the Divine. She, or he, becomes both at the same time: immanent and transcendent. 

In this then, I agree with Pariat, that a writer’s life involves transcendence. But for some, that transcendence is purely internal. The ability to withdraw within yourself, the swirling mist of your own thoughts, even in a crowd. To be able to cocoon yourself from the rush, roar and clamour around, and be one with the silence within. Weaving through the hustle and bustle of family, day jobs and domesticity that defines life for some of us, this is our path of transcendence.  The ability to be beyond, while being within. 
Immanent, yet transcendent. 

You made this dream come true!


In my last post, I wrote about how the dream and desire of having my book published saved me and motivated me to have faith in the future. Have faith in life.

That dream is going to be a reality. Very, very soon.

My book, The Reluctant Mother: A Story No One Wants To Tell is being published by Hay House, which as you all know is a reputed international publisher.

So today, I am here to thank you all – every single one of you from the blogging community, and readers from outside the community- for staying by my side on this journey, for sharing my joys and sorrows, for reading and commenting here and letting me know that I wasn’t alone.

First and foremost, I want to thank Kathi Ostrom Gowsell, who was the first person to suggest, way back in 2013, that this story should be given the form of a book. We may live on separate continents, and may have never met each other, but I feel connected to you in a very special way, Kathi. Thank you for being you !

Other bloggers- mothers and fathers- other writers and readers, you have all been such a huge part of my journey.

I cannot tell you all, how much it has meant to me over the years, to read your comments here, and to get private messages from so many of you, asking me to keep writing, telling me that I was brave to write the truth fearlessly, and telling me how much my voice resonated with you, for it spoke of the stories of your lives too.

There are no words to describe my gratitude for the love you have all showered me with- especially those of you who told me that I was your voice- for I was speaking of the truth reflected in your lives too, but you couldn’t speak out because of all the judgements and restrictions the world heaps upon us all. I want to thank you from the bottom of my heart for giving me the strength to speak this truth and take this dream to culmination.

The launch of the book has been delayed for a bit, owing to the pandemic, but do watch this space for the happy announcement, and I promise that you will be the first to see the cover as soon as it is launched !

Meanwhile, here is a picture of the first page of the book, of the final draft PDF version, and merely looking at the title on the page before me, fills me with gratitude and joy.

There is a word that I have taken from Paulo Coelho’s book, and quoted it in my own book. I shall just end this post with that word:

Maktub!

It is written.

‘H is for Hijab’ or ‘Antevasin: The Border Dweller’


It is funny that, ever since I became a mother, life’s aspects appear to me in motherhood metaphors. 

The hijab for instance. 

My relationship with the hijab is quite a bit like my equation with motherhood: there are times when motherhood frustrates me, times when I feel irritated by it, times when I wish I could just run away from it all. But in the end, when I look at my son and watch his mischievous grin, and hear the thoughts from his inquisitive, philosophical little mind, he thaws my heart all the way through.

That perhaps, perfectly encapsulates my equation with the hijab. There was a time when there was no hijab in my life, but now, it is woven inextricably with it.

People ask me, have I never wanted to take off the hijab? Let’s be honest- yes I have. There are times when it has felt irritating or restricting. But every time, every single time without fail, I have received cosmic communication- signs if you will- nudging me to keep it on.  I have received signals from the Universe that this is my way, my path to self-actualization.  

Yes, occasionally, it may seem like a restricting space, but the space only seems smaller sometimes because it is my soul that keeps expanding.

Expanding and demanding even more space. On those times, I have to readjust and recalibrate my understanding of religion, to make space for my expanding soul. And it works. It works every time. 

And it has changed who I am as a person.

The hijab gives me an outreach and a purpose that is so much bigger than my own little self. Combined with my syncretic upbringing, my literary and cultural sensibilities, the zest for life I inherited from my parents, and my fierce feminism, it becomes a symbol of power for me, a symbol of the infinite possibilities that the universe offers through the channel of life.

On the one hand, it allows me to take my ideas to places where, I feel, they are most needed – to women who would otherwise never have had access to unconventional ideas. On the other, it allows the world to see that a hijabi woman can be as unconventional as any other, a hijabi can be as much of a revolutionary as any other.

Furthermore, it makes me the proud owner of that word which Elizabeth Gilbert speaks of in Eat, Pray Love; the word that she discovered in an ancient Sanskrit text during her stay at an Indian Ashram:

Antevasin

Border dweller. 

“The Antevasin,” writes Gilbert, “was an in-betweener. He was a border-dweller. He lived in sight of both worlds, but he looked toward the unknown. And he was a scholar.”

The one forever at the cusp of two worlds, two traditions, two streams of life and thought. That is who I am.

Antevasin.

There is a verse in the Quran that speaks very eloquently and beautifully of the merging of two seas. “Marajal bahraine yaltaqeyan.”

The verse refers to two seas that flow freely so that they meet together (at one place). The next verse speaks of a “barrier between the two seas by which they do not mix.” It is generally taken to refer to bodies of salt water and fresh water, which merge at a place, a border, but do not mix into each other. Each remains separate and distinct.

But the verse has been interpreted in many other ways, uncovering metaphorical and deeper layers. Certain scholars have interpreted ‘the two seas that meet’ as two of the holiest figures in Islam – Ali and Zahra, who are among the 14 infallibles.

However, the greatest beauty of a spiritual tradition is chiefly that one can draw one’s own mystical, transcendent, metaphorical meanings from it- beyond all scholarly and academic interpretations.

The Quran, as is believed by Muslims, is the channel through which the Creator speaks to the Creation. The conversation between the two, thus, can be a very private and intimate affair, in which the Qalb of the Abd (the worshipper) leads her to the meanings that the Mabud (or the worshipped) wishes to convey. The Qalb being the innermost center of our existence – not the heart or the mind but the point at which all our senses and our abilities and our capacity to love and feel and understand is centered. That point of convergence of the human existence is defined as the Qalb

And when I read the Quran through my Qalb, these verses speak to me of my very existence as the convergence of two streams, the cusp of two distinct realities. Between and yet beyond. 

Belonging nowhere, and therefore, belonging everywhere.  

Always on the border, pushing forth, standing at the confluence of past, present and future- reaching out towards that which can be — towards infinite, limitless possibilities. 

That, ultimately is what my Hijab is to me. It is the ultimate symbol of the Antevasin.

The seeker, the dervish who does not renounce the world, but lives forever at the border, partaking of both: Sounds and Silence. Fullness and Void. Company and Solitude. Movement and Rest. Rainbows and White Light.

Always both.

Extrovert and Introvert. Fire and Water.

Within, and Without. 

Antevasin.

Belonging nowhere, and therefore, belonging everywhere. 


(3 days ago, on 29th March 2020, I turned 33 years old. I thought it was the best time to write about one of the most significant aspects of my life- at the end of one of the most life-altering year of my life. It exploded and blew me to smithereens, and in that destruction, brought me into the full reality of who I am and who I want to be. )

B-R-E-A-S-T (and a biopsy)


Breast.

B
R
E
A
S
T

Careful, don’t say it loudly. The female anatomy must never be spoken of.

Except of course, when it is spoken of as an object of male desire. When the male describes the female body in every detail, defining the object of its gaze the object of its lust- then it is alright for the female body to be spoken of.

In pornography, in erotica, in male fantasies, in locker room jokes, in boy talk, in every thing that has to do with men, it is alright for the female body to be discussed.

But the woman must never speak of her body. She must never speak of her

Bee
Arr
Eee
Aayy
Ess
Tee.

No, she must never say BREAST.

She must never speak of her body in relation to herself. She must never speak of her body as experienced by herself. She must never speak of that body in terms of its utility to her, in its familiarity to herself.

She must never speak of its illnesses, its wounds and its pain. She must sashay and only let that body speak of beauty and of sex. She must never reveal the body’s scars and its aches.

B
R
E
A
S
T

No you must never say BREAST.

You must not mention loudly that there are three painful stones – one lump and two cysts- in your Breast. You must speak of it in hushed tones lest anyone hears you speak of your body in relation to yourself.

B
R
E
A
S
T

But I will say Breast. We will say Breast.

We will reclaim our bodies from the eyes of men, we will reclaim them and speak of them for they belong to us.

We will speak of our breasts in relation to biopsies, we will speak of our vaginas in relation to episiotomies, we’ll speak of our uteruses and our ovaries and we’ll speak of our backs and our slipped discs and our PCODs.

We shall speak of our bodies and their wounds and their pain, we shall speak of our bodies as experienced by us.

B
R
E
A
S
T

I shall say Breast.

Don’t tell me to hide illness for I shall not hide anymore.

I shall speak of the doctor injecting anesthesia and the thick biopsy needle piercing my breast, taking out tissue bit by bit, punching in punching out again and again.
‘Does it hurt’, No not yet. But it will. When the anesthesia wears off it will hurt. Your breast.

It will hurt and it will hurt.

And I shall not hush and I shall not hide. I will speak of the bandage that covers my breast.

I shall speak of my body which is a battlefield and not the object of your desire.

Yes I shall say BREAST. We shall say BREAST.

Because our breasts belong to us. Not to the men who desire us. Not to the children who feed on us.

Our bodies shall be ours and we shall reclaim them. We shall stand solemnly and hold each other’s hands and we shall feel each other’s pain and then we shall say, without a giggle or a whisper or a hint of shame, we shall say

B
R
E
A
S
T

BREAST.

{ I wrote this poem yesterday, every word and every line, inside my head while lying on the operating table in full consciousness, watching the doctor perform a biopsy on me. }

Are you having an adventure?


The Alchemist is a book I always hark back to, when I’m feeling unsure of myself and undecided. I always recall Santiago and his quest for the treasure – and the point where he realises that the treasure he saw in his dream was in the very place where he had lived all his life. It was buried at the very point from where he began his journey. This makes him wonder why he was brought all this way for nothing; why he had to face everything that he did, when he could have found the treasure right where he had been.

And the wind whispers to him, “But then you wouldn’t have seen the pyramids…”

There couldn’t ever be a better answer.

What Santiago wanted more than anything was to see the pyramids. The treasure was his destiny but what he wanted was the pyramids. In fulfilling his destiny he also needed to fulfil his heart’s deep longing.

And that is why, sometimes when I doubt myself and the path that I set out on, I always remind myself—why did I choose this path? Because it was the path to my ‘pyramids.’ You might have fulfilled your destiny in other ways, I tell myself, but then how would you have seen the pyramids!

Let me explain.

I sometimes doubted why I had joined journalism, particularly when people insisted that I would have been better off had I gone into academics or civil services and so on and so forth.

But then I asked myself—why did I join journalism? The answer was always, because I wanted to know more of the world, to see varied facets of the world, to explore and discover and meet diverse people and have varied experiences. In one word, I wanted to have an adventure.

And that’s the honest truth. I had no altruistic motives. Perhaps I did want to change the world, make it a better place, yes, but the primary motive was to have an adventure. And I have been having one for sure!

Image: Zach Betten on Unsplash

My decade in journalism has been a wonderful and fascinating adventure. Perhaps others have achieved a lot more than me. But for me it was never about the race anyway. Never about the destination. It was always about the journey. And as far as the journey is concerned, I have nothing to complain about.

However, as far as the Alchemist is concerned, I do have something to complain about. In the book, as it is in so many books and indeed in life itself, the women do nothing but wait for the men to have their adventure and return to them. I bristled at it then and I bristle at it now. Where is the adventure and the journey for women? Why must they always remain inside the four walls and wait? I felt a surge of anger at the world then, as I often do even now.

The second time a story of adventure made me cringe and feel a surge of anger was when I was pregnant with my son and panic stricken at how my life was falling apart all around me, how my dreams were slipping farther and farther away from my reach. Around the 4th or 5th month of my pregnancy, I had watched the movie ‘Up.’

I still have negative associations attached with that movie.

Here is why.

When the movie began I identified very, very much with the over-enthusiastic, adventure-seeking and headstrong Ellie. I loved how she had made complete plans for her exploration trip to Paradise Falls, and how she was sure she’d go there. But when the movie progresses, the dream goes farther and farther away from her. I felt my heart sink because I saw it as a mirror of my life. Early motherhood had snatched my dream away from me and stolen all my adventures and trapped me. (Or so I thought then.)

And in the end when Ellie’s husband makes it to Paradise Falls, I felt myself seething with rage. Shaking with rage, literally. He had no right to be there! It was not his adventure, he had not been yearning for it all his life, it was not he who had made all plans for it and he did not deserve to have this dream!

It was Ellie’s dream, she’d wanted it all her life!

But where was she? She was dead, gone, nowhere! Did she have her adventure? NO! How dare he have that adventure alone, how dare he pretend that he was doing it for her when she couldn’t even partake of it? I felt myself burning with anger.

I think Carl in the movie had the same feelings perhaps, when he sat in his chair and with a heavy heart opened Ellie’s scrapbook. And saw how she had felt that she did have an adventure in the life they shared with each other. It was beautiful.

And yet, it made me seethe with anger even more.

All those platitudes of happy family life being an adventure in itself are reserved only for women. ONLY for women. Are the men ever told that happy family life is enough? It’s only the women who are told that your adventure is inside the four walls of the house while the men can go have their adventure even on the moon. I was burning with anger.

Over the years, though, I realised that for some people, their adventure might indeed be in a happy family life—but I couldn’t be one of them. Happy family life was important for me, yes—but it wasn’t enough. It wasn’t the only thing I wanted. I wanted to go out and embrace the world and have my own adventure.

And I did.

Image: Nurhadi Cahyono on Unsplash

Perhaps not with as much speed as I would have liked, perhaps not in as great a magnitude as I would have liked, but I did.

I may be a slow walker, said Abraham Lincoln, but I never walk backwards. I wrote this line in my diary when I was 14. And I never forgot it since. And that is how slowly, but surely, I found my footing back. Slow walker but never walked backwards. Thanks, Abe.

There’s still far too much to be done, and far too much left undone. But I can see that I’m moving forward, on my very own adventure.

I can see that I’m moving towards the pyramids.

Finding the treasure would be incidental.

What do you live for?


Picture: Alexandra Nicolae on Unsplash

Sylvia Plath and Virginia Woolf. Both were feminists and magnificent writers. And both committed suicide. 

Sometimes I feel afraid of how much I identify with them. Not just as writers and feminists, but as women who ended up taking their own life. I shudder at how tantalising it feels to view myself as the disturbed intellectual woman who couldn’t take life anymore. It makes me afraid.

It’s not death that I’m afraid of, though. Death and I have been strolling hand in hand for a very, very long time. What I’m afraid of is throwing away my life.

I could kill myself. Easily, so easily. And yet, I don’t.  

What stops me? What do I live for? 

I could be the virtuous mother and say I live for my son, but that would be a lie. I do not live for my son, and I do not give myself so much importance as to think that he would be lost or destroyed without me. I lost my father at 9. And yet, here I am- in a fairly good place, by any measure. A woman in a man’s world and yet I reached where I wanted. My son, along with inheriting his mother’s fire and his father’s steel, would have all the privilege that comes from being a man in this world. He’d do just fine without me as well- not that I’d wish this on him or anyone else for that matter. 

I could say I live for my mother, and it would be the right thing to say. It would also be the noble thing to do. 

But I don’t. 

I could say I live for the man who holds my venomous grief carefully in his palm, smiling like it were an elixir, and drinks it all in, just so he could save me even if he died. The man who married crazy-me and steadfastly refuses to hand me over to the mental asylum.

I wish I could say I live for him. 

But being the selfish woman that I am, I live for none but myself. 

Paulo Coelho in Brida spoke of the virgin, the saint, the martyr and the witch. The saint lives for others.

The witch, on the other hand, lives for herself. For pleasure. Purely for pleasure. 

For the myriad pleasures that life brims with. 

The last time I deliberately chose life, it was by convincing myself I needed to see my as-yet unpublished book in my hands. That was something I needed to see. It was my labour of love. It was my pleasure and my pain. I had to be alive to see it come to life.

And that worked for a long time, until the darkness closed in again, until Sylvia Plath and Virginia Woolf began to be tantalising again. 

The text of Virginia Woolf’s suicide letter

And I was forced to ask myself, over and over- why do I live? What is it that I live for? 

People live for different things. For family, for success, for love, for serving others.

Me? I live because I love life. Life, which brims with endless possibilities. 

A wise old man once said to me, We are all in a state, not of being, but becoming.

Becoming.

As long as you are alive, there are infinite possibilities of becoming. Every second, every breath, every blink of an eye is a new possibility. And that is the greatest beauty of life. 

I live because life is a gift. A gift of endless possibilities. 

It must never be thrown away. 

Yes, I have done all the things that are written in the good books, too. I write my gratitude journal and list the things I’m grateful for. I list all the things I’ve achieved in life. I list all the milestones, month after month, year after year. But in the end, none of those things seem enough. None of those things seem to tell me- this is what you live for. 

Even if I achieved nothing in material terms, even if I had no tall claims on life, even if I had no one by my side- even then, even then my life would be worth living. It’s not achievements, success, relationships, love, even family – they’re not the only reason for living. 

It is you. 

You alone are reason enough for you to be alive. This alone is enough- that you have the gift of life. 

All those other reasons could be fuel to the fire. They could keep the fire in you burning, they could keep pushing you ahead in life. But what’s most precious and worth living for is your own self. 

The more I searched, the more I found that the one and only thing that has always kept me alive is the endless possibilities, the endless beauty of life. 

Every second that I was alive, I have infinite chances to become anything and anyone I wanted to be. No matter how black or grey my hair turn, no matter how many fine lines I get and no matter how much my skin begins to sag. Every moment, every moment I can explore endless possibilities. Yes, every moment is going to be a fight, but every moment is also an opportunity to win that fight.

Only as long as I am alive, though. 

Death seals everything with an air of finality. Death is solid. Life is fluid. 

And that is what I live for. The fluidity of life. Oh, the witch always lives for the fluidity of life. 

There was a time, 22 years ago, when 10 year old me used to gaze longingly from her front door at thunder storms and lightning streaking across the pitch black night sky, and wish that she was standing in the huge park just opposite her house, arms flung wide open, embracing the storm. She wished she could stand all alone, drenched to the bone, enveloped by thunder, enwreathed in light. She wanted to be the storm. 

Ten years after Paulo Coelho wrote Alchemist, the story of a boy who learns to become the wind, a little girl who had never even heard of the book, stood at the door of her house, watching lightning dance, and longed to be the storm. (And Coelho wrote this book in 1987, the year this same little girl had been born.)

That intoxicating, intense moment is the one moment in all my 32 years, which symbolises perfectly my wild, witch-like love for life. 

That, yes that, is my reason for staying alive. 

All I have to do now is to take that feeling and wrap it into a gift for myself, a reminder for all the times the darkness comes crashing – a reminder that even in the midst of darkness, the thunder and the lightning can deliver you to life. To the fluidity, the endless possibilities. 


Picture: Jeremy Thomas on Unsplash

All of these are just my reasons for living. What are yours? What are the things that drive you to be alive? Are you the saint, the martyr, the virgin or the witch? Tell me in the comments below!