What would you write to your child if it was the last thing you wrote?


I wrote this letter atop the upper berth of a carriage in the Prayagraj Express, en route to Delhi from Allahabad. I was about to fall asleep on my train berth. I felt cold and drew my blanket over my head, and then idly wondered if I might suffocate and be found dead by morning. Passed away peacefully in my sleep. 

That sounds like a nice way to die, peacefully in one’s sleep. Inside a blanket. On a nice little train berth, pleasantly air conditioned, rocking gently to and fro like a cradle, snuggled inside a soft sky blue blanket.

And as I thought this I wondered what I’d like to do if it were indeed my last night in this human form? 

I’d had a lovely conversation- sans argument- with my better half after a long time! Check. I’d had a tears-of-happiness conversation with my sister in the evening. Check. 

But Little H.

Since he and his cousin little S were asleep together on the berth opposite mine, I hadn’t kissed him or hugged him before sleep as I always did. 

And I suddenly knew what I wanted to do if it was the last thing I did. 

I wanted to write a letter to you, my son. 

I think I’m just projecting myself over here, because I have always yearned to have something written by my father for me to read. I knew he was a man of letters.  Of poetry. Of books and deep thoughts. I wish I could have had something with me that would help me know him better. Who he truly deeply was. His fears, his dreams, his worries, his passions. Every day of my life I keep wishing I knew him more.

But in spite of all my morbid death fantasies, I hope you never have to read this letter as my last to you.

I hope and pray that I stay alive to write you more letters. Because I know what it’s like to have only half of me alive at all times—the other half conjured up only through memory and imagination.

I don’t know who exactly I’m writing this letter to. Grown up H? Teenage H? Little H? 

We can never really know who reads our letters once they’re out there, can we? 

Nevertheless, here’s my letter to you, my son, whenever you get to read it.

Little H, I don’t worry about you, because I see you’re a fine little man already. You’re thoughtful, sensitive, independent. You have the sprouts of universal love in you. You’re truthful and understand the meaning of justice and compassion. 

You’ll grow up to be a fine man. 

I don’t want to tell you who you should be. All I want is for you to be a good human being. What you do with your gifts is up to you.

And you have many gifts:  you love animals and birds and insects and trees and flowers. The natural world excites you endlessly. You love automobiles and machinery – cars, trucks, planes, bikes and their functioning. You love listening to me recite my poetry to my mother although you don’t understand a word of it. You like flipping through my thick books and sometimes make me read from them to you, just because you want to share what Mumma was reading. You have many gifts, dear heart. Life will show you the way and help you discover them as you grow and evolve.  

What I do worry about is that there are too many patriarchal systems around you, woven in inextricable ways that undo all the tapestries of equity and gender justice that I try and weave around you. 

I do know that I would be very unhappy if a son of mine grew up to be a man who does not think of women as his equals, as people who have the same rights as him, and who deserve the same opportunities as him, whatever differences there may be in physiology. Be the man who considers women and men as equals, my son, but also the man who understands the differences between sexes and the struggles emanating from them.

For it is important to stress that equality does not mean similarity.

Two people may be very different in skin colour, hair colour, eye colour, nose shape, mouth shape, body structure and so on, but they’re still entitled to being treated as equals- in opportunity, in law and in life. In humanity. People confuse equality with sameness. But being equal doesn’t mean being the same.

Equality is the right to being treated as equals despite all the diversity and differences that exists among human beings.

I would be very sad if you did not grow up to respect women. If you saw the privilege that you had as a man and felt smug and entitled about it- instead of feeling that this privilege came to you at a cost to someone else, and knowing that the onus was on you to correct this skewed reality. Knowing that the onus was on you to take enabling action, which allows someone else to flourish and thrive along with you.

Know this, my son: being born into privilege means it is a test you inherited, to see how much of that privilege you are willing to relinquish for the sake of equality and justice in society, in the world. This applies not just across genders, but across groups that are traditionally underprivileged- financially, religiously, socially. 

What will matter most is how willing are you to speak out for and support those who are marginalised, whose voices are constantly being stifled and whose presence is constantly being crushed. Nothing would make me happier than seeing you stand up and speak for the oppressed.

When in doubt, always use this mantra—look at the power structure. Where is the centre of power? Who holds the most power? Only then will you begin to understand the lay of the land, only then will you be able to understand who is being oppressed. And if you find yourself in a position of power, remember, power is only given to you to help the maximum number of people you can. That, and that alone, is the correct use of power.

Always remember this: human beings are all fallible. Do not make demi-gods out of them, do not turn your heroes into people you worship. Always be ready to ask questions and be prepared for uncomfortable answers. Humans are always looking for saviours, and from there stems our tendency to put people on pedestals and worship them. Worship no human, my son! Uphold only the principle of humanity above all else. Do not go looking for saviours. People must make efforts to save their own selves. But beyond that, try and save as many others as you can.

Always try to see things from different points of view, even though that perspective may clash with yours. Always try to understand and explore various opposing points of view, and only then make up your mind. And even then, be ready to listen and course-correct.

Happy New Year, little H. May you learn many, many new things this year, and may you grow into a man who is a paragon of knowledge, courage, compassion and fairness. Above all, fairness.

All my love,

Mumma

Movies: Men love action, women love romance. Think you know why? No, you don’t!


(I break my narrative yet again, because this is something that just had to be said.)

Wonder Woman

So I finally got a chance to watch Wonder Woman (yeah, I always watch new movies way too late) and oh girl, am I thrilled! It is absolutely mesmerising to watch Gal Gadot aka Diana, Princess of the Amazons, unleash her raw power and true grit. Watching the movie made me realise a few things though—namely why I have never been a fan of action movies and prefer mostly romances. I just thought I didn’t like all the fighting —until I saw this woman kicking, punching, lassoing and sword-fighting away to glory. And it suddenly dawned upon me that the reason I—and perhaps most women— do not enjoy action movies so much is because 99 per cent of all action movies only ever have MEN taking part in all the ‘action’.

Think about it.

What makes a good movie —or any good story— tick? How much the audience/readers identify with the characters. When you watch a story unfold, you identify with at least one person on the screen—mostly, you identify with the protagonist. For that brief span of time, you are transported to the screen, you are the person experiencing it all—and you vicariously partake of all the pleasures and pains unfolding before your eyes. That is why women prefer romances—because the protagonist there, the focus of the story, is always a woman. However, in common discourse this is projected as: women are only interested in love and romance.

Not true.

Women are interested in adventure, intrigue, thrill and action as any normal human being, but one look at the ‘regular’ action fare you get on the silver screen (and the small screen too) and you’d know that women would find it hard to relate to. It’s actually not the ‘action’ that puts us off—it’s the fact that every single time, it’s always a man commanding and carrying out the action. Yes, women definitely prefer peace to war any day—but hey, when it’s about being the hero and saviour and fighting evil and injustice, women absolutely love packing in a mean punch.

A pity then, that our choices are so very limited.

All the way through Wonder Woman, I found myself jumping up and down in glee beside my very amused husband, and almost screaming—“Go Diana! Woohoo! ”

Yes, we love it when women throw the punches and absolutely decimate the baddies.

I remember whooping with joy many years ago when Keira Knightley clashed swords with cursed pirates and sea-demons in Pirates of the Caribbean: At World’s End. And I can never have enough of the way she and Will got married right in the middle of slashing up the baddies together!

Keira fight

But I was severely and utterly disappointed by the post-credits scene in the very same movie—where Will returns after 10 years on the Flying Dutchman, and Elizabeth has been waiting for him, bringing up their son all this while. I swear I felt my heart sink right into my shoes.

All that spunk—all that valour—all the sword fighting and dealing with pirates, demons and sea –monsters—all of that for nothing? No, don’t get me wrong. It’s not the child-rearing part that I had a problem with. Nope.

She got married, she had a kid, great —but nobody said she had to stay right there and give him a super traditional upbringing, did they? His dad was Captain of the Flying Dutchman, for cryin’ out loud! And his mom was King of the Brethren Court, lest we forget! She could just have brought up the boy on a ship, having adventures of her own and being the remarkable, doughty woman that she was! But the message we got instead was that once you’re married and have a baby, you really needn’t involve yourself with anything other than said baby.

But now I am beginning to digress. Where were we? Yes, women in ‘action’.

Women enjoy it when women protagonists ‘do the stuff’. When my husband introduced to me the popular TV series “The Arrow”, my favourite protagonists almost all the time were the fighting females —Sarah Lance aka the Canary, Laurel Lance aka the Black Canary, and most of all Nyssa Al Ghul — the daughter of Raas Al Ghul, Chief of the League of Assassins — but above all a shockingly lethal fighter if there ever was one. It was a real delight to watch these women in action. (Of course, Felicity was a great character too, but her fight was more of mental and digital warfare rather than throwing actual punches.)

Among my favourite kick-ass women characters though, right at the top stands the character of Teresa Lisbon from the hugely successful HBO series The Mentalist. Even though she’s not the central character—which is a man, Patrick Jane, The Mentalist himself—yet she’s not reduced to the status of merely a love interest. She’s a super tough cop—the Chief of the California Bureau of Investigation, a smart, fearless character who knows how to fight like a woman. Yeah, I said fight like a woman, because “fight like a man” kind of defeats this whole post—it indicates that only men can fight.

Again, the remarkable thing about this series was that they didn’t have to show the hero Patrick Jane as a super-macho guy, just because his leading lady was a tough-as-diamonds (why don’t they use that phrase, though? Diamonds are the toughest substance on earth!) cop who really knew how to use a gun. He, on the other hand, never even carried a gun. His super strength was his mind– the punching, shooting and capturing part was well taken care of by the lady.

Eventually, of course, Patrick Jane and Teresa Lisbon declare their love—and then comes the part where, for the first time, I felt really annoyed and angry at Jane, because he suddenly begins asking Lisbon to quit her job as an FBI agent—which she had by then become. He kept saying he didn’t want to ‘lose her’ given her high risk job and the fact that he’d already lost once a woman he dearly loved. Which felt entirely pathetic to me, because she had been a cop and a detective long before he even met her. And all these years that he’d been hunting the psychopath serial killer who murdered his family, she had been his partner and closest friend, always taking the lead in this high risk job. And now suddenly when he declares his love for her, he wants her to throw away all she has built up in life just because he’s insecure about losing her? It made me hopping mad.

Thankfully though, Lisbon was a woman after my own heart and she refused to budge. My most favourite, absolutely cherished scene from this series—and in fact my most cherished scene from any series or movie ever, period—is that of Lisbon in her wedding gown, in typical law-enforcement posture and fearlessly holding a gun at another serial killer.

lisbon gun
A smart man isn’t scared of loving a strong woman

That moment, to me, symbolises the very essence of my womanhood: she doesn’t necessarily have to reject love, she doesn’t necessarily have to reject marriage, she doesn’t need to reject femininity either—but she refuses to let go of her passions, of things that are important to her; refuses to let go of who she truly is. She dons the sleek and classy wedding gown, but as soon as the baddies appear, she gets all-out in cop mode—whipping out her gun and confronting the psychopath. Even though there’s a whole law enforcement team there, she doesn’t sit it out just because it’s her wedding day. She remains true to herself and her work, her duty.

That one moment will forever be the essence of femininity to me. Femininity is not about being a damsel in distress—it’s about being a damsel that can remove distress.

And that’s who we fantasise about being when we find doughty women in action onscreen.

This reminds me of exactly what I felt when I watched Jean’s character blast out her mutant powers with full force in the climax of X-Men: Apocalypse. Every pore of my body felt like that woman who is trying hard but frustratingly failing to harness her true powers, that somewhere in me those forces are all accumulating to rip out in one great explosion of fearsome power.

X-Men_Jean_Phoenix

Whether it’s saving your home or saving the world, we vicariously fulfil all our dreams of superhuman strength and fighting power through these characters. But when those characters are only men, we can just salivate or drool over them as fantasy love interests! (Or just appreciate them as interesting characters.) We can’t actually identify with them —obviously.

So here’s my last word on the subject.

Movie makers, you’ll be opening up a whole new demographic if you just create more intrepid, fearless ‘women in action’ characters. That way, you’ll know that it’s not just the romances that draw women in. We love action too— only you’ve got to have the right person doing it.

Is Feminism anti-love? {Feminism vs Fairytales-II}


fairytales-beauty

Lend an ear to a lesser-known tale, the love story of a real life Prince. This is a fairytale with a difference.

In the year 1936, Edward, the Prince of Wales, succeeded to the throne of Britain and became King Edward VIII. But his reign lasted merely 326 days— less than a year— after which he chose to abdicate his throne to the younger brother. Why? Because Edward, the Prince, had fallen in love. Wallis Simpson, an American woman, had become the queen of his heart, but the throne of Britain refused to accept her as the Monarch’s official Queen. Wallis was a divorcee, and it was against the Church’s decree to marry a divorced woman while her former husband was still alive. Edward couldn’t keep both the crown on his head and the woman in his heart—he would have to make his choice. The young King proposed various alternative options through which he could be both Monarch and lover true. But the Church— and the people of England—rejected each one of them.

And so on the 11th of December, 1936, King Edward VIII stepped down from his throne, with these words addressed to his people— words worthy of a lover and a king: “I have found it impossible to carry the heavy burden of responsibility, and to discharge my duties as king as I would wish to do, without the help and support of the woman I love.” Within a year, Edward and Wallis were married in a private ceremony in France.

Edward gave up what few men can claim to ever possess—a real crown and an actual throne. He gave up the highest title of his land; from the King of England he stepped down into the position of Duke of Windsor.

There’s always that thing, that little thing, which makes you renounce every treasure, yet leaves you the richer for it. The trivial, insignificant thing that makes you relinquish power yet leaves you the stronger for it. A tiny, inconsequential thing.

A thing called love.

“It was love, love, love, love, love alone
Caused King Edward to leave his throne…”

0———————————-0

Fairytales don’t go down well with feminists.

The argument is that you shouldn’t ‘need a man’ to get you happiness; you should be able to find it yourself.

I see it all the time—the web is full of it. The ‘we don’t need a man’ declarations. I swear I saw a poster on social media that declared ‘Fairy Godmother, bring us the perfect career instead.’ Which is absolutely fine, but does this mean that a career is supposed to replace love? More importantly, as a feminist myself, this is what completely confounds me—do the same rules apply to men; do you ever admonish men for going full speed in the pursuit of love? I know the classic feminist is supposed to hate fairytales; so let me bring you a brief, reverse rendering of two of my favorite ones—from the male perspective instead. (I’m using the Disney versions, of course, not the original Brothers Grimm tales.)

Cinderella

The heir to the throne, the charming and handsome Prince falls in love with a peasant girl—a girl without title or fortune or ‘provenance’, so to speak, and puts on hold every royal activity even as he sets upon a veritable wild goose chase— glass slipper in hand, seeking nothing but the foot that fits it—that one woman who ruled his heart. And when he finds her, ragged and dirty, amid the cinders, he gives no thought to social mores and princely conventions, but takes her hand and leads her to his palace—making her the Queen of the Land.

Beauty and the Beast

The Beast in his huge and haunted castle has been waiting years upon years for a woman whose kiss would save him from this dreaded curse that robbed his human form. When one day a brave and well-read girl arrives to rescue her father from the clutches of the terrifying creature, the castle is filled with hope. The Beast’s kind and gentle side begins to resurface and the two bond together. But when Belle goes to visit her father and is unable to return, the Beast loses hope and languishes in the castle, pining away for his love. In the end, it is only Belle’s love that breaks his curse and makes him whole again.

Now that we just re-read the fairytales, what did we discover? A fairytale is not a tale of escape, it is not a tale of achievement and ambition; it is a story of finding love. Perhaps finding escape and redemption through love, too, but chiefly finding love itself. The actions of the heroes in the above-mentioned tales, or indeed, any other fairytale, are all guided by the quest for love. The thing to be noted is that the women they loved were not for beauty alone—they loved them for their kindness, intelligence, wit and charm. Perhaps, like Prince Charming, they cast aside social conventions and royal concerns, or like the Beast, they let go of their aggression and ego and open up for the healing touch of love. Like King Edward who gave up his throne— it’s love, love, love alone.

So to come back to my question—why don’t you ridicule, downgrade or put down men for casting the world aside in the pursuit of love? Why is a man not labelled as ‘disempowered’ when everything he does is for the sake of a woman? Do you ever hear men say ‘we don’t need a woman’? (Quite the contrary, of course.)

The reason a man never has to say this is because men seldom need to choose between ambition and love. Barring King Edward of course, who heroically tossed it all away—but is still considered a hero, not a disempowered sissy. (And that pretty much displays the inherent sexism in disparaging women when they give it up for love.)

For women, though, choosing love very often means an end to whatever other dreams they had. As Gloria Steinem and her ilk so succinctly put it in their slogans: ‘Sink into his arms and you may end up with your arms in his sink’. Because marriage would be, well, a dead end. Because women went into love expecting a fairytale, and then found that real life never lived up to it.

That was the reason why fairytales were so hated by the feminists: they wanted women to not sit around waiting to be rescued; they wanted women to stand up for themselves and rescue their own selves.  And that’s where it all started—the ‘we don’t need a man to be happy’ philosophy. Find your own happiness; be your own power, your own saviour.

Sisterhood of the liberated, I completely endorse your stand. But then there are different kinds of power, different types of powerful, and not all are the ones we’d want to be. Let’s just sit back and take note: fairytales are rife with powerful women— but they’re almost all evil. The Queen in Snow White, the Stepmother in Cinderella, the witch in Rapunzel. And that’s not sexism, sorry. Powerful men and women, in general, tend to choose the path of evil, simply because evil seems to pay higher—and faster. My point? Power is, in itself, a vile and terrible thing if not exercised for a noble cause. And in this regard, the heroines of fairy tales are far better ideals to aspire to, for they are kind and noble and brave.

The one really powerful and generous woman that springs to mind from fairytale universe is the Fairy Godmother. Think about it—how can you disregard her or forget her role in saving Cinderella? She’s that powerful woman who uses her gifts for positive ends. The sad part, of course, is that all she gives Cinderella are pretty dresses and slippers, and a Coach to get her to the Royal Ball. And this is where the reality of the bygone era steps in—the only ambition a woman could aspire to was a fortunate marriage, hopefully filled with love. Times have changed since then—drastically so. Why then do fairy tales still appeal to girls of all ages, in all generations, no matter what the era? Because, as I said, the fairytale is not a story of escape, it is not a story of ambition. It is a story of finding true love, and deep in the core of all our hearts—ambitious or otherwise—none can deny the desire to be truly loved.

So yes, little girls need to hear tales of women that rescue not just their own selves but others folks too—for that is the nobler thing to do. They need to be told that the purpose of their life is not just to be someone’s wife. Let them hear stories of real women, good and strong, who fought for a cause and either won or went down fighting to the last.

But let them also revel in the fairy tale, for in her heart, every girl is a princess.

Equally important is to let boys hear fairy tales too. When boys hear no fairy tales, they scarcely learn how to value love—and romance. A man that grows up hearing stories of a Prince that braved it all for his love would know much better how to love a woman and not let her down.

Here’s the little thing though—when we write the modern fairy tales this time around, let’s not make love the end. Let the stories step into the future, where the King and Queen both chart their noble paths, both ride their way to glory—side by side —lovers, friends, equals. Let man and woman both be each other’s support and realise their dreams together.

The need to be loved is as ancient and natural as life itself. To accept it is not weakness, to deny it is not strength. Ambition and love are meant to co-exist beautifully, boosting up each other.

Just like feminism and fairy tales.

Feminism v/s Fairytales- Part I


“We are becoming the men we wanted to marry.”

— Gloria Steinem

This post has been far too long in the making — four months to be precise; and has changed titles three times, always a little shy of perfection—until about twelve minutes ago, when I was driving my son to school and the perfect title just glided into my mind, fitting in there with a pronounced click.

Feminism and fairytales. There has been far too much of a discourse about this, far too much of fairytale-bashing in the halls of feminist fame. And the die-hard romantic in me couldn’t reconcile herself to it.

And then I read this line by Gloria Steinem—the one I’ve quoted above.

Every time I read feminist authors—or even just quotes from feminist leaders, I feel a sense of solidarity. The power of the sisterhood, so to speak. But when Gloria Steinem says that we are becoming the men we wanted to marry, I get a stupendously severe sinking feeling.

Really? Is that what we want to achieve? To become MEN?

No, I do get it. I get what she means to say. I get the context of the time and place that these words were spoken in—times when the only ambition for women was to marry a ‘suitable’ (read ‘wealthy’) man and live a life of basked glory. So what Steinem really means is for women to possess ambitions over and above marriage, to actually earn their own glory and fame.  To rise and shine, to be all those things they want to be—instead of merely looking for those things in the men they wanted to marry. I get that those words have led us to where we are right now—where a woman leading an independent, successful life is not an aberration. I get it all.

But what I witness now, in the time and place that you and I live in, is that feminism is becoming more and more about women becoming men. ‘Femininity’ is becoming taboo. To be successful, you must be like a man—that’s the subconscious message being sent out. And that makes me sad, not to mention intensely furious.

I haven’t yet watched Aamir Khan’s acclaimed movie Dangal— where a wrestler dad turns his daughters into champion wrestlers. It is actually based on a real life story— of the Phogat sisters, three of whom have won gold medals at the Commonwealth Games, while the others have won medals and accolades in other National and global championships. My sister went for the movie and came back gushing about it. But when she came to the part where the wrestler screen-dad Mr Phogat chops off his daughters’ locks because they were using their hair as an excuse to get out of wrestling, I felt hugely uncomfortable. There it was again—to be successful you must be like a man.

dangal

Part of my discomfort stems from personal reasons, I must admit. My long hair has been a very, very important, distinctive part of who I am. But then, there are lots of women who like to keep their hair short, and there’s nothing wrong with that either.

What felt entirely wrong was that it appeared like the dad forced the daughters to renounce their femininity—so that he could turn them into the sons he never had. (Apparently, in the beginning the movie shows that the family had an intense desire for sons so that they could take the wrestling tradition forward.) But ultimately it leads the women to success and glory—so all’s well that ends well. And everyone goes home clapping.

I would have actually bought that theory, too, if not for the little fact that this past year, Sakshi Malik, an actual female wrestler, brought home an Olympic Bronze for India—and she hasn’t chopped her hair off at all. What’s more, PV Sindhu, the Olympic Silver medal winner, hasn’t chopped off her hair either. In fact, there have been five women in all who have brought home Olympic medals for India: Karnam Malleswari, Mary Kom, Saina Nehwal, Sakshi Malik and PV Sindhu—and none of them has close-cropped hair. Deepa Karmakar who came whizzingly close to a a Bronze medal in the gymnastics category last year doesn’t have cropped hair either. And our very own home-grown Tennis World Champion Sania Mirza is the pinnacle of femininity: long hair, nose-ring, uber-cool and always stylish.

The reason I have chosen long hair to illustrate my point is that long hair is perhaps the most marked of feminine attributes. And by choosing hair, I want to point this out: you don’t need to renounce your femininity to be a feminist.

All the above mentioned women would surely be defined as feminists—breaking the mould with their endeavours. Sania Mirza famously even wore a T-shirt that proclaimed “Well-behaved women never make history.” The thing to be emphasised, though, is always this: feminism isn’t the opposite of femininity. You don’t have to be ‘like a man’ to be strong and successful.

In fact, when we make ‘manly’ attributes the standard of success, we are actually upending the years and years of protest and battle against the belittling of women. We are subliminally spreading the message that ‘womanly’ attributes are worthless and signs of weakness: that femininity cannot lead you to strength and success, only masculinity can. And that, ironically, is the reinforcement of patriarchy—presenting woman and womanliness as possessed of far less value than man and manliness.

Feminism evolved to give women their rightful place in society—so long denied to them. In effect, therefore, to be a feminist is to embrace your womanhood with pride, to wear your femininity like a badge of honour. In trying to be ‘like a man’ you’re merely succumbing to the kind of society whose greatest praise for a daughter is that “She is the SON of her parents.” That is to say, in transforming from daughter to son, she has reached a higher level of evolution.

That kind of mentality is precisely what feminists have vehemently opposed, but when we try to “become the men that we wanted to marry,” I am sorry but we’re playing right into the hands of the chauvinist brigade.

In the stages of evolution of a society, where misogyny is widespread with things like female foeticide being the norm, it is understandable why you would first need to prove yourself to men, just to show that not only are you equal, you can also be better. But as we move toward greater evolution, it is important for women themselves to value their womanhood, and not fall into the trap of woman-shaming.

In essence, what we need to become is the kind of woman we want. Let no one tell you what is womanly and what is the meaning of being a woman. YOU, yourself, are a woman—and YOU get to define what that means—not a man. So if your inner woman finds expression in short hair and wrestling, go for it, by all means. But if your inner woman loves both— long hair and wrestling— let nobody tell you that it can’t be done.

And if your inner woman loves all traditionally womanly things— long hair and cooking, for instance, that’s perfectly fine too—let no one tell you it’s something inferior.  The only thing is to be strong enough to decide for yourself and stand up for yourself—and for other, weaker people. That is the essence of a strong woman.

To be fair to Mr Phogat, though, I watched his interview on a TV show a few days ago, and perhaps by some cosmic coincidence, he was asked the ‘hair’ question. His reply was mighty impressive, I have to admit.

“Looks are fine,” he said. “I get that you want to look beautiful. But when you have done something substantial in life, when you have stacked up your achievements, only then you must focus on your looks.”

No arguments with that, Mr Phogat. No arguments at all.

{Stay tuned for Part II where we will actually discuss Fairytales.}