How 30-year-old me stopped 33-year-old me from committing suicide


I hadn’t thought I would ever write about this. But now I am. It is refusing to let me sleep, commanding me to write.

This happened in September last year.

I went through a major traumatic event, and despite the staunch and unwavering support of my partner and my sister and my friends, I struggled to come out of it, struggled to find my centre again. I was thrown off-kilter, off-balance, and despite my best efforts, I couldn’t find that balance again.

One night, when my husband and son slept, I decided this was it. I decided there was no point in living on. The clawing agony tearing apart my body and my mind was too much to bear. I decided this was enough.

Quietly I got up from the bed, opened the glass door that led to the balcony and stepped up to the railing. Fingers clutching the balustrade, I peered over the railing and looked at the ground, twelve floors below.

I put one foot on the lower railing and hoisted myself up further. Half my body was above the railing’s level. I could easily topple over, with a gentle nudge to myself.

“It’s not difficult,” said my voice from inside my brain. “You’ll float down gently… like a feather.”

An image of a white feather floating down on the shifting breeze conjured itself before my eyes. Languid, unhurried. With all the time in the world.

“Oh no, you won’t.” This was a new voice. Someone else.

It came from my mind. But who was this?  

“You’re not stupid, are you? You know you’re 60 kg, which is hardly the weight of a feather,” she continued. “Don’t you remember your ninth standard science lessons? Gravitational force and the mass of bodies and everything? Don’t you remember?”

“Uh… you’re talking to me about ninth standard science right now? Now? When I’m jumping off the balcony?”

“Sure,” she quipped. “You’re an educated woman. These are the things your mind thinks about.”

Silence.

I wasn’t amused. It wasn’t funny.

“Don’t do it.” She said. “Don’t. Your husband and child are asleep right there. Imagine their faces if they woke up to this. To your body down below.”

“I don’t care. It doesn’t matter. I’m not a martyr. I don’t live for others. The witch, remember? I’m the witch. The witch lives for pleasure… and there’s no… pleasure… in my life anymore. There’s no joy. Nothing.”

“But … there’s your book.”

Silence.

She sensed my resolve wavering.

“Yes, there’s your book, right? Do you want to go without seeing it? Do you want to go without seeing the cover—and your name on the cover? Don’t you want to hold it in your hands?” She was smart, this one.

I do. I want to see it. To hold it.

“Then that is pleasure, isn’t it?”

Yes. It is.

Slowly I put my feet back on the ground. Then I sank to the floor completely. Leaning against the wall, I sat on the floor of my balcony and wept for a long time.

And then, instead of being just a voice in my mind, she came and sat beside me. She was me. Me, when I was 30 years old. When I had been writing the last few chapters of my book.

She looked at me. “Hey. Don’t you remember what you wrote in your book? About survivors being the ones who get to tell their own stories?”

Yes, I remembered. This was indeed what I had written. I had told myself at one point in my own book, that if I had killed myself I’d never have seen the day that I inked my victory onto the pages of life. I had told myself that it is survivors who get to tell their own stories.

Did I want other people to tell my story for me?

No, I didn’t. If I was going to tell my story—and many other stories—I was going to have to live.

I closed my eyes and leaned my head back against the wall. Propped my left elbow on my knee, with my open palm and spread-out fingers covering my forehead and eyes like a muzzle.

Perhaps I wept a little more. Perhaps I dozed off for a bit.

Finally, I got up, brushed the dust off my clothes and went back past the glass door into my bedroom. Quietly lay back on the bed.

As I drifted off to sleep I marvelled at the strangeness of it all—how my past self saved the life of my future self.

(Like Harry Potter – although it was his future self who saved his past self from the Dementors.)

Almost as if I travelled through time.

Now, I can decidedly claim that I don’t need a rescuer. I rescued my own self.

What do you live for?


Picture: Alexandra Nicolae on Unsplash

Sylvia Plath and Virginia Woolf. Both were feminists and magnificent writers. And both committed suicide. 

Sometimes I feel afraid of how much I identify with them. Not just as writers and feminists, but as women who ended up taking their own life. I shudder at how tantalising it feels to view myself as the disturbed intellectual woman who couldn’t take life anymore. It makes me afraid.

It’s not death that I’m afraid of, though. Death and I have been strolling hand in hand for a very, very long time. What I’m afraid of is throwing away my life.

I could kill myself. Easily, so easily. And yet, I don’t.  

What stops me? What do I live for? 

I could be the virtuous mother and say I live for my son, but that would be a lie. I do not live for my son, and I do not give myself so much importance as to think that he would be lost or destroyed without me. I lost my father at 9. And yet, here I am- in a fairly good place, by any measure. A woman in a man’s world and yet I reached where I wanted. My son, along with inheriting his mother’s fire and his father’s steel, would have all the privilege that comes from being a man in this world. He’d do just fine without me as well- not that I’d wish this on him or anyone else for that matter. 

I could say I live for my mother, and it would be the right thing to say. It would also be the noble thing to do. 

But I don’t. 

I could say I live for the man who holds my venomous grief carefully in his palm, smiling like it were an elixir, and drinks it all in, just so he could save me even if he died. The man who married crazy-me and steadfastly refuses to hand me over to the mental asylum.

I wish I could say I live for him. 

But being the selfish woman that I am, I live for none but myself. 

Paulo Coelho in Brida spoke of the virgin, the saint, the martyr and the witch. The saint lives for others.

The witch, on the other hand, lives for herself. For pleasure. Purely for pleasure. 

For the myriad pleasures that life brims with. 

The last time I deliberately chose life, it was by convincing myself I needed to see my as-yet unpublished book in my hands. That was something I needed to see. It was my labour of love. It was my pleasure and my pain. I had to be alive to see it come to life.

And that worked for a long time, until the darkness closed in again, until Sylvia Plath and Virginia Woolf began to be tantalising again. 

The text of Virginia Woolf’s suicide letter

And I was forced to ask myself, over and over- why do I live? What is it that I live for? 

People live for different things. For family, for success, for love, for serving others.

Me? I live because I love life. Life, which brims with endless possibilities. 

A wise old man once said to me, We are all in a state, not of being, but becoming.

Becoming.

As long as you are alive, there are infinite possibilities of becoming. Every second, every breath, every blink of an eye is a new possibility. And that is the greatest beauty of life. 

I live because life is a gift. A gift of endless possibilities. 

It must never be thrown away. 

Yes, I have done all the things that are written in the good books, too. I write my gratitude journal and list the things I’m grateful for. I list all the things I’ve achieved in life. I list all the milestones, month after month, year after year. But in the end, none of those things seem enough. None of those things seem to tell me- this is what you live for. 

Even if I achieved nothing in material terms, even if I had no tall claims on life, even if I had no one by my side- even then, even then my life would be worth living. It’s not achievements, success, relationships, love, even family – they’re not the only reason for living. 

It is you. 

You alone are reason enough for you to be alive. This alone is enough- that you have the gift of life. 

All those other reasons could be fuel to the fire. They could keep the fire in you burning, they could keep pushing you ahead in life. But what’s most precious and worth living for is your own self. 

The more I searched, the more I found that the one and only thing that has always kept me alive is the endless possibilities, the endless beauty of life. 

Every second that I was alive, I have infinite chances to become anything and anyone I wanted to be. No matter how black or grey my hair turn, no matter how many fine lines I get and no matter how much my skin begins to sag. Every moment, every moment I can explore endless possibilities. Yes, every moment is going to be a fight, but every moment is also an opportunity to win that fight.

Only as long as I am alive, though. 

Death seals everything with an air of finality. Death is solid. Life is fluid. 

And that is what I live for. The fluidity of life. Oh, the witch always lives for the fluidity of life. 

There was a time, 22 years ago, when 10 year old me used to gaze longingly from her front door at thunder storms and lightning streaking across the pitch black night sky, and wish that she was standing in the huge park just opposite her house, arms flung wide open, embracing the storm. She wished she could stand all alone, drenched to the bone, enveloped by thunder, enwreathed in light. She wanted to be the storm. 

Ten years after Paulo Coelho wrote Alchemist, the story of a boy who learns to become the wind, a little girl who had never even heard of the book, stood at the door of her house, watching lightning dance, and longed to be the storm. (And Coelho wrote this book in 1987, the year this same little girl had been born.)

That intoxicating, intense moment is the one moment in all my 32 years, which symbolises perfectly my wild, witch-like love for life. 

That, yes that, is my reason for staying alive. 

All I have to do now is to take that feeling and wrap it into a gift for myself, a reminder for all the times the darkness comes crashing – a reminder that even in the midst of darkness, the thunder and the lightning can deliver you to life. To the fluidity, the endless possibilities. 


Picture: Jeremy Thomas on Unsplash

All of these are just my reasons for living. What are yours? What are the things that drive you to be alive? Are you the saint, the martyr, the virgin or the witch? Tell me in the comments below! 

Chapter 44: Levels of Life: The Meltdown (Part I)


“You put together two people who have not been put together before. Sometimes it is like that first attempt to harness a hydrogen balloon to a fire balloon: do you prefer crash and burn, or burn and crash?

But sometimes it works, and something new is made, and the world is changed. Then, at some point, sooner or later, for this reason or that, one of them is taken away. And what is taken away is greater than the sum of what was there. This may not be mathematically possible; but it is emotionally possible.” 

Julian Barnes, Levels of Life

The Meltdown Part I

May 8, 2014

There are separations, other than death, that might sometimes induce the same kind of grief.

Before we move deeper into this post, let me give my non-Indian readers a little perspective on the (now virtually defunct) proverb “spare the rod and spoil the child.” Though now you might gasp in horror at this, culturally, we’re inclined to not spare the rod at all. I’m quite sure most of us have been slapped, smacked and spanked as kids, and I can say this with deep certitude—hand on heart—that we weren’t even scarred on the skin, let alone scarred for life. Each one of us remembers the spankings more as a joke from the past, like the mischiefs that you fondly recall. And no one hates their parents—absolutely no one, nor do we harbour the slightest resentment against them. If anything, we remember being mollycoddled too much, with all the favourite desserts and picnics and hugs and family banter. The spanking and slapping is part of these memories, if I can ever make you understand.

I remember my father always kept a cane atop his almirah, and the cane was named ‘S.S. Verma’ short for Samjhavan Singh Verma.  Loosely translated to Mr Make-it-clear Jones. The cane never got an opportunity to be taken down—it was more of a psychological rod than a physical one—the mere mention of it was enough to get me to behave! Almost a decade later when we happened to get hold of it, there was much oohing and aahing between me and my sister, like we just discovered an old haunted relic.

But times have changed now, and everyone strictly reprimands you for beating children—even the older generation who dished it out with aplomb in their day. But even their dishing had been sparse and far between, and girls were hardly at the receiving end. The boys bore most of the ‘rod’, and never violently or frequently.

Nothing like the violence that had grabbed hold of me now.

My son was just about 19 months old and I had begun hitting him.

Shaking him. Slapping. My mother used to whisk him away immediately when these violent fits came upon me. “She will kill him!” She used to wail and lament—a tad dramatically. And what I really wanted to do was kill myself.

I wanted to be killed for slapping my 19 month old baby. I wanted to scream in agony, to scratch my own hands. I hated myself. If this had been another country, perhaps I would be behind bars. Which would be quite justified. I was turning into a potential danger to my own offspring.

At my in laws place: Late into the night, I’m trying in vain to talk to Sajjad on the phone — our calls are always so few and far between– but Hasan just won’t let me, grabbing the phone or making a fuss. I yank him up and almost dump him down in his walker, in the other room. He is shocked for a second and then starts wailing. Sajjad’s mom rushes to pick him up and soothe him.

In my mother’s house: I am trying to write—my refuge from the world— and Hasan is playing happily, toys all strewn around the floor. Grandma Bazooka barges in.

Now Grandma Bazooka is an Amazonian Woman species— the kind of person who’s the best ally to have in a war. She’s the best person to have your back, to bite down anyone who tries to chew you off. Her sense of justice, straight as an arrow, causes her to draw out her quiver every time she so much as whiffs any kind of unfairness—particularly to her loved ones.

The downside of this battle-readiness, of course, is the excess emphasis on discipline and things being just right all the time, like a military general.

Which means that she enters the room hollering.

“Oh this girl is useless! She can’t handle anything! She can’t handle her own child! All the toys are strewn round the floor! Why can’t you keep the room clean for heaven’s sake!”

This isn’t really a big deal. Yelling at your kids and grandkids is a routine occurrence in Indian homes—we all take it for granted and nobody bats an eyelid. Nobody who’s in their normal frame of mind, that is. And that’s not me right now.

I fly into a rage and shake the child, and shake him, and shake him. “Why! Why why why can’t you stop throwing toys around! Why!!” I yell and shake with anger. My mom rushes in from the other room and sweeps him away from my wrath.

I hide my face in my knees, rocking back and forth, sobbing uncontrollably.

At night in my bed: Hasan went to sleep at 8 pm. Relief, right? Exactly at 9pm, he wakes up. Fresh as a daisy. At 11 pm my eyes are heavy with sleep, and he is pushing his little fingers all the way up my nose, poking them into my eyes, doing his best to keep me awake. I am dying of exhaustion, having been at his beck and call all day. I sing him a lullaby, desperate to be free. Doesn’t work. I pat him again and again on the back, trying to induce sleep. I try and try and try for another half-hour. Nothing.

And then I imagine smashing his head into the wall.

And I slap him.

For some reason, this works like a charm. He cries at first and then nods off.

And then I lie awake in bed, watching the revolving blades of the fan. Round and round and round and round. And I see me.

Hair strewn over the face, neck in a looped rope, feet dangling limp.

I see myself hanging from the fan, eyes blank and bulging with the stare of death. Round and round and round and round and round.

I cannot sleep.

Daytime on my rooftop: Trees sway around in the cool breeze, and I’m here to breathe deep and relax. Nature is always such a refuge. And I look down casually from the third floor.

I see me there, down below.

I see my body, skull cracked open. Fallen from the top, plastered on the earth.

Blood oozing in a puddle.

Slowly I turn, and heavily climb down.

There is no refuge.